||    Purandara Dasa and Sri Venkatachalapathy of Thirumalai    ||

A dear member of the group asked me to write on the special bonds that Purandara Dasa had with Srinivasa of Thirupathi. I am happy to do so. Kannada is not my mother toungue. Hence, I request the indulgence of Kannada speaking friends of this group to bear with me, when I make number of mistakes in transcribing the sahityam of his "Saurabhas" or Bhakthi-laden blossoms forming the garland Purandara Dasar placed at the feet of Purandara Vittala. "Saurabha" is an apt term coined by m ydear friend, Late Dr. Yamuna .T. Thathachari of first thirumaaLigai at Srirangam. He was a great scholar befitting lineage that goes back to Yaamunaacharya. He came up with the title "Purandara Dasa Saurabhas for a beautiful audio casette of Purandara Dasa Krithis sung majestically by Srimathi Jayashree Varadarajan of Sunnyvale, California.

I will focus on the Srinivasa Saurabhas in this section.

Sri Purandara Dasa (Born AD 1494) lived for 80 years on this earth, half of which was spent as a Sanyasi. He is considered Naradaamsam. Satya Dharma Teeertha of Vyasaraya mutt conferred on Srinivasa (Purvaasrama name) the dasa name of "Purandara Dasa". He derived his inspiration from the three strands of musical tradition-Karnataka, Maharashtra and Hindusthani - and poured his bhagavd bhakthi in the two musical styles of Margi and Desi. As a Karnataka Sangita Pitamaha, he followed the foot steps of the great Talapaakam Annamacharya, who sang the glories of Thriupathi VenkataramaNan day and night.

Visits of Purandara Dasa to Thirupathi
***********************************

Purandara Dasa in his dasa Vritthi woe his Tulasi maala, Gajjai and held his chaplaa kattai in one hand and his tampuraa in the other hand and climbed the seven hills many times to have the darsanam of Srinivasan. He had a great attachment to his "name sake", Srinivasan. He will run off to Thirupathi in a moment's notice, when the thought of Srinivasan overpowered him. He offered his Sangeetha Saurhabham on those occasions to the Lord of seven hills.

One such krithi is set in Ragam Sindhu Bhairavi:

PALLAVI:

VENKATAACHALA NILAYAM VAIKUNTAPURA NIVAASAM
PANKAJA NETHRAM PARAMA PAVITHRAM SANKA CHAKRA DHARA
CHINMAYA RUPAM

SARANAM:

AMBHJOTHBHAVA VINUTHAM AGANITHA GUNA NAAMAM
THUMBHURU NAARADA GAANA VILOLAM

MAKARA KUNDALA DHARA MADANA GOPAALAM
BHAKTHA POSHAKA SRI PURANDARA VITALAM
(SRI VENKATAACAHLA NILAYAM )

Here, Purandara Dasa worships Srinivasa as Sri Vaikuntanatha with His base in Thirumalai. There he sees Him with His lotus eyes, sanka and chakra, chinmayaananda rupan enjoying the divine music of sage Narada and Thumbhuru and the eulogy of His lotus-born son, Brahmaa. His indescribable sacredness and unimaginable Mahimaa are then referred to. Lord of Thirumalai must have given darsanam to him as the most enchanting Madana Gopala wearing Makara Kundalam. Dasar salutes this protector of devotees in the rakthi ragam of Sindhu Bhairavi.

On yet another occasion, He chose Bhairavi ragam and offered saraNaagathi at the feet of Srinivasa:

PALLAVI : SARANU VENKATARAMANAA NINNE
SARANAVA NAMBITEH NAANU

ANUPALLAVI : KARUNAA SAAGARA KAAMITHA PALAVEEVAA
SARANA BHAKTHARA KAAVA GARUDA VAAHANA DEVA
BHAKTHA VATSALA HARIYEH NAMMA BHAVA DHURITAPARIHAARANEH

CHARANAM : AKILAMTAKOTI BRHMAANDA NAYAKA
SARANOBHAKTHARAGAAVA SURA MUNIGALEHDEVA
DESAGATHIKAVAADHA NAMMA SESHAGIRI ISAA
SRI VEMKATA GIRI THIRUMALESAA
DAASA DAASARASALAHUVA SRI PURANDARA VITTALA (SARANU)

He cries aloud to the Karunaa saagaran and addresses Him as the munificient boon-granter. He says: " O Lord who rushes on the back of Garuda to protect the devotees in distress ! Hari! Bhaktha Vatsalaa! please banish my fears and sufferings associated with Samsaaric life .I am counting on Your Dayaa and Anukampa ".

In the charana Vakhyams, Dasar addresses Srinivasa as the Antharyaami Brahmam residing inside the crores and crores of chetanas and Achetanas of His universe and salutes Him as the Lord of the Seven hills sanctified by His residence .He recognizes him as the Aapath Bhaandhavan, who comes to the rescue of Devas and Sages during their times of distress . He points out tha this Seshaadri Sekhara Vibhu never fails to protect His devotees. He declares his Maha Viswasam as the central credential of his Saranaagathi to VenkataramaNan .

Dasar chose a rare ragam known as Siva KalyaaN for his third krithi on Srinivasa, who gave darsanam to him as Govinda. In this Govinda Naama sankeerthanam echoing in the seven hils as "Govindaa, Govindaa" as we hear it even today, when the Bhakthaas come in front of Venkataachalapathi, Dasar declares:

PALLAVI :

GOVINDAA NIMMA NAAMAVE CHENTHAA

CHARANAM :

aNureNu truNa kaashta paripurNa GovindA
nirmalaathmakanaahi iruvateh aanandaa(Govindaa)

srishti sthithi laya kaaraNa Govindaa
Yee pari mahimaayeh tiLiyuvadaanandaa (Govindaa)

Parama purusha Sri Purandara Vitalana paaduva
daasara salahoovavadhaanandaa (Govindaa )

In the charana vaakyams, Dasar describes the pervasive and seamless presence of Srinivasa Govindan from atoms, dust particles , blades of grass to dry branches and every thing in this universe. The greatest joy that a Jeevan can experience is the understanding of this principle of yours and to stay in the blemishless and pure state (NishkaLanga, Nirmala) exhibited by You .O Lord, the one responsible for the creation, protection and destruction of the universe and its beings! What a joy it is to understand this truth about yourself being the root cause for the functioning of Your universe and to sing about your limitless auspicious GuNaas. The Dasaas immersed in the nectar of joy through the Nama Sankeerthanam of your Sahasra Naamaas forget every thing and do not let their mind wander into worthless pursuits.

I will continue with Dasar's Venkatesa Krithis in Ragas Thodi (Ninna Nodi), Madhyamaavathi (Thirupathi VenkataramaNa ninage), Kambhoji (Naanenu Maaditheno Venkataraaya), Ananda Bhairavi (Srinivaasa Nineh Paaliso sruthajana Paala) and Vasantha (Baarayaa VenkataramaNaa).

Dasar used Thodi Ragam to make saranaagathi to the Lakshmi RamaNan standing on the peak of the seven hills. Here he states that he has become blessed by the Darsana Bhagyam of His Subaasrayam. O Lord who has Vynatheya as your vehicle (Pakshi Vahanaa)! O Lord who destroys the Asuraas! O lotus eyed one! O KaruNaamurthy who took a message to Duryodhanaa's court and pleaded the case of the Paandavaas! Please cast a glance on me and protect me. These thoughts are summarized in the following Pallavi and Anupallavi VAkyams:

PALLAVI :

NINNA NODI DHANYANAADENOH HEY SRINIVASA !

ANUPALLAVI :

PAKSHIVAHANA LAKSHMI RAMANA LAKSHYA KOTTU


NODO PAANDU PAKSHA SARVA DAITYA SIKSHA
RAKSHISENNA KAMALAAKSHA ( NINNA NODI )

In the charana vaakyams , he asks a question of Sri Venkatesa consistent with the Daasa Vrutthi that he has chosen( Tamburi Meetithava --TaaLava tattitava--gejjaya kattitava --gaanava maaditava): O VenkataramaNaa! Govindaa! Am I not a servant of yours as I go from place to place singing your praise and being overcome by that moving experience ? Do not you know that in my heart of hearts I want to be protected by you from the Samsaaric ills ? Jagadheesaa ! Please show me the sanmaargam and get me across this fearsome ocean of Samsaaraa. Please have Dayaa and take me-- who is sinking in this ocean-- by Your hand and lift me up . Daasar performed SarANAgathi in this manner in the Thodi raga krithi . The charaNa vakhyams containing these thoughts are as follows :

desa desa thirigi naanu aasa bhaddha naateh
swami daasanu naanalava Jagadheesa kaayO
srinivasa kanthu kanaka kelO yenna
antharanga daasayennu antaravillateh
paalisu SRIKAANTHA , Purandara VittalO

Here , Daasar addresses the Lord on whose chest resides Sri Devi as Sri Kanthan in charaNam . Earlier in Anupallavi, he addressed Him as Lakshmi RamaNaa to remind himself and us about His status as the one who gives immense Joy to Sri Alamelu Mangaa presiding over Her temple at Thirucchaanur. Thus Daasar makes SaraNAgathi in the classical way prescribed by the Acharyas of one Sri Vaishnava sampradhaayam.This Prapatthi to Jaganmaathaa and Jagannaathan at the same time reminds us of the first two verses of Sri Venkatesa Prapatthi . The two verses are as follows :

IsaaNaam Jagadhoasya venkatapathehr Vishno: parAm preyaseem
tadh vakshasthala nityavaasa rasikAm tadhkshaanthi samvardhineem I
Padmaalankrutha PaaNi pallava yugAm PadmAsanasthAm SriyAm
vatsalyAdhi gunOjwalAm Bhagavtheem vandeh Jaganmaataram II

Sriman KrupAjala Nideh sritha sarvaloka
Sarvajna saktha natha vatsala sarvaseshin I
Swaamin Suseela Sulabhaasrita PaarijAtha
Sri Venkatesa charaNou saraNam Prapathyeh II

The first Prapatthi slokam salutes the consort of Lord Srinivasa as PadmAsani , who resides in the chest of the Lord and increases His forbearance(Kshaanhti) for our trespasses as our compassionate Mother.She is saluted here as the ocean of Vaatsalyam (endearing affection) for us and is resplendent with that KalyANa gunam as the mother of ALL the beings of this Universe.

After this salutation to Sri Devi in the traditional manner, The second slokam goes on to offer Prapatthi at the Lotus feet of the Lord. This slokam addresses the easily accessible Paarijaatha pushpam standing on the top of the seven Hills as Sarva Seshin , Sarvajnan , Krupaajala Nidhi , Sakthan and SwAmin . Each of the Naamas incorporated in this verse are powerful reminders of the Lord of Alamelu Mangaa , who has Dayaa as His cardinal Kalyaana GuNam. Each of these Naamaas can be connected to Dayaa DEvi saluted by Swami Desikan in his Daya Sathakam. Swami Desikan has invoked Lord Srinivasa's Dayaa as a Devi and conversed with Her through the Slokas of DayA sathakam. Purandara Daasa is one of the "KAMALA VAASA KAARUNYA EKAANTHINA : KRUTHINA : " . Swami Desikan had Azhwaars in mind , when he chose the above words to describe the twelve Bhagyasaalis some two hundred years before the birth of Purandara Daasa. Latter is indeed fit to be considered as one of the great devotees of Srinivasa , who immersed deeply (azhwaar ) in the Kaarunya Gangaa of Kamalaa Kanthan ( KAMALAA KAANTHA KAARUNYA GANGAA PLAVITHAR) . Daasar performed SaraNAgathi to that Sri Devi , the mother of the Universe in Her role as the embodiment of the Daya of Srinivasa ( SRYEASEEM SRINIVAASASYA KARUNAAMIVA RUPINEEM ) .

In this Thodi krithi as well as in the earlier Bhairavi and Siva KalyAN krithis,Daasar captures the essence of the above two slokAs of Sri Venkatesa Prapatthi . He salutes the self-manifested ocean of KaruNaa , which is limitless and offers the bhagyam of Darsanam to us at the environs of Vrisha sailam in a manner evocative of Swami Desikan's ninth verse of Daya Satakam ::

KAMAPYANAVADHIM VANDEH KARUNAAVARUNAALAYAM I
VRISHA SAILA TATASTHAANAM SVAYAM VYAKTHIMUPAAGATHAM II

SRI SRINIVASA CHARANOU SARANAM PRAPATHYE

One evening Dasar was resting on a pial of a house in the Sannadhi street of Lower Thirupathi after his darsan of Sri Govindaraja of Keezha Thirupathi ( This is the Archa murthy consecrated by Sri Ramanuja few hundred years earlier ) . Next morning Dasar was going to climb the seven hills for the darsanam of Lord Srinivasa of upper Thirupathi . He had finished his SandhyA anushtAnam and was engaged in Dhyanam of Sri Venkatesa. It was getting dark . He saw then a most beautiful lady rushing with a Veena in her hand. Dasar was awe struck at this unusual sight and was emboldened to ask the young woman as to where she was going in such haste at that hour.She answered : " Sir , I am rushing to play the Veena at the Sannidhi of ThiruvenkatamudayAn". Dasar said : " Amma! You should not travel alone at night in the mountainous region. May I therefore accompany you for the sake of your safety ". The lady replied : " Sir, Thank you . I will be very happy if you could accompany me. My name is Ramaa Devi."

Both Dasar and Ramaa Devi climbed the hills and arrived at the gates of the temple of Srinivasa after ardha Jaamam .The temple gates were closed for the day. There were no one near the temple at that late hour. When Ramaa Devi put her foot on the steps of the front gate of the temple , the doors automatically opened . Both of the visitors entered and the temple gates shut themselves behind them .. Dasar was wonder struck and travelled to the Garbha Graham of Lord Srinivasa with Ramaa Devi . At hat time , Ramaa Devi addressed Dasar and asked him to hide behind one of the pillars of the ardha Mandapam to have the darsanam of the Lord. She entered the sanctum sanctorium and began to play on her Veena songs in praise of the Lord of the seven hills. On hearing the divine music , Lord Srinivasa appeared as Sanka -Chakra -Peethaambharadhaari and danced before her to the accompaniment of the music. Dasar was thrilled to hear the divine music and to see the Lord's extraordinary dance .

Lord Srinivasa decided to test Dasar , who was known for his short temper. The Lord stopped His dance and took the Veena from the Lady's hand and began to play. He purposely introduced Apaswarams in his playing , which fell like molten lead in Dasar's ears. Dasar was livid with rage and he came ourt of his hiding place behind the stone pillar and castigated the Lord this way : " O Lord of the Universe who is the embodiment of Naadam ! How can I put up with you and your Apaswarams ? Is it fair ? " After being addresses this way , Lord Srinivasa and the Lady who played the Veena disappeared instantaneously. Dasar recognized his AparAdham and asked forgivenness of the Lord through the following four songs :

1. SRINIVASAA NINNE PAALISO-- ANANDHA BHAIRAVI, ADI TAALAM
2. BHAARAYAA VENKATARAMANAA BHAKTHARANIDHIYEH--VASANTA/ADI
3.THIRUPATHI VENKATARAMANA --MADHYAMAAVATHI/ADI
4. NAANENU MAADITHENU VENKATARAAYA --KAMBHODHI/ADI

WHEN Dasar completed singing of these four songs , the Lord and the Lady who climbed the hills with Dasar reappeared . The Lord revealed that the lady , who offered Veena worship was none other than Saraswathi Devi . Both of them blessed Dasar . The grateful Dasar composed two songs right there on the Goddess of Learning Saraswathi Devi for blssing him this way with the apoorva , antharanga darsanam of the Lord of Thirumalai . These two songs are : Kodubhega Divyamathi Saraswathi in Raga Saraswathi and Paalisamma Muddhu Saaradehyenna Naalikeyalli Nilla Bharathe in Raga Nagaswaaraali . Afte that he sang many songs in praise of the Lord of Thirumalai until the Suprabhaatham time. He incorporated the visesha Naamaangitham "VenkataramaNaa" in these songs composed and sung in presence of the Lord. Lord Srinivasa was delighted with Dasar and blessed him and lifted him with His divine hands and placed him before sunrise at the front pial of the house , where Dasar was resting prior to the trip up the hills with Saraswathi Devi.

The first of the four krithis composed in front of Sri Venkatesa is the following one in MadhyamAvathi :

PALLAVI

THIRUPATHY VENKATARAMANAA
NINAKEDAKA BHAARATHU KARUNAA
NAMBHITA NINNAYA CHARANA
PARIPAALISA BEGHU KARUNAA

SARANAMS(1-4 )

S-1 : ALAGIRIYALLI BHANTHA SWAAMI
ANJANAGIRIYALLINTHA
KOLADHUTHU DWANIYATHU SENTHAA
NAMMA KUNDALA RAYA MUKUNDAA

S-2: MUDALAGIRIYALLI NIMTHA
MUDDHU VENKATAPATHI BHAGAVAMTHAA
YEETILA NINAGE SRIKANTHA
EERELU LOKA GANAMTHAKAA

S-3 : AADIDHARE SARIYAPPA ABHADDHA
KALAADALU OPPAA
BEDITHA VARAGALA NIPPAA
NAMMA MOODALA GIRI TIMMAPPAA

S-4 : PAPAVINASANI SNAANAA
HARI PAADHODAGEVE PAANA
KOPA TAAPAKALE BHIDHONA
NAMMA PURANDARA VITALANA BHAJISONA

( I beg the indulgence of my Kannada speaking friends for my huge mistakes in tanscribing and translating the words of the Sahityams of Dasar ) .

(Free Translation) : O Thirupathi VenkataramaNa ! May I be the object of your Karunaa. Please protect me, who believes in You and has sought refuge at your holy feet . Please do not disaapoint me by giving me darsanam first and then removing Yourself from my presence .O Mukunda who has chosen Anjana Giri as your place of residence ! O Lord who is resplendent with Your Makara Kundalams! The music flowing from Your flute is bewitching .O Muddhu Venkatesa standing on the top of the Eastern hill ! There is none equal to You in all the 14 worlds . You are indeed the Lord , who is the Jagadaanadakaarakan . As such , You gladden the hearts of one and all . You bless those who practice Dahrma Margam and punish those who engage in unrighteous acts. O Lord who blesses one with the sought after boons ! O Varada ! O Moodala Giri Timmappaa! Please protect me, who has taken bath in the auspicious waters of Paapa Naasani Theertham and drunk the holy Sri Paada Theertham of Yours . Please protect me , who has abandoned now the anger and desires and stand infront of you singing Your praise . Please come to my rescue !

In the third krithi set in Ragam Kaambhoji , Dasar takes Srinivasa to task for not heeding to his request to bless him with Darsana Bhagyam.

In the krithi starting with the Pallavi " Naanegi MaadithenO Venkataraya Nee yenna kaya BeghO " , he queries Venakatarayan this way : O Lord ! What did I do to deserve this utter neglect and indifference by You ? Why wont You come to my side ?O Deena Rakshakaa! "Manaabhimaanavu Ninnadhu , Yenakkenu ? " (Anupallavi vaakyam ) . It is your problem to worry about your abhimaanam (attachment cum affection ) for your Bhakthas and the consequent worry to protect them as well . It is not my concern to worry about the harm to your reputation as Bhakta Vatsalan, if you do not execute your self-avowed duties as protector of your bhakthas in times of their dire need and distress . I have done Baranyaasam to You and the burden of protecting me is your
responsibility . I am not therefore worried . Even if I am free of worry , I still do not understand a few things . Please explain them to me." Dasar goes on to describe the matters that confuse him in three CharaNams:

CharaNam 1 : Kari raja karisitaneh Drowpathi devi
peratoleh kaLusitanen
rishi rajapatni kallaghi sthreeyaghitadhu
yee jagavalla ariyarenoh Govindaa (Naanenu )

CharaNam 2: rakkasatalananeh kelO Dhruva raayanu
sikkavanallavenoh
ukki paruva karmamaaditha AjaamiLa
ninnakkana nahanenO Govindaa (Naanenu )

CharaNam 3 : ommadi avalikkeh yaatatantha avanikkeh
oppi kottayO bhagyavaa
sarpa sayana Sri Purandara Vittalaa
aprameyaneh salahO Venkataraayaa (Naanenu )

( Free translation ) : O Venkataraayaa ! You are running around boasting the name of Deena Rakshakan . Did Droupathi write a letter to you at the time of her distress asking you to save her from humiliation at the court of evil Duryodhana ? The whole world knows that you transformed the Rishi patni Ahalya through your Paada sparsam ( contact with the dust associated with your holy feet ) from the state of stone to her former beautiful self . O Lord who destroys the Rakshasaas ! Did you not bless the little child Dhruva and respond to his intense penance ? Did you not save AjaamiLan , who was intricately bound in the net of his Karmaas ? How do you expalin your partiality (DaakshiNyam ) for him ? Was he your nephew ? You gave the wealth of all the worlds to your boyhood friend Kusela in return for a handful of pounded rice . What is the mystery here ? O Lord resting on your serpent bed ! O Seshadri Sekhara VibhO ! Why wont you show mercy to me ? Waht wrong did I do ? Why this utter indifference ? Thus asks the angry Dasar with salugai in the spirit of Nindaa Sthuthi in this Krithi .

In the next song , Dasar's anger is reduced and he addresses the Lord with affection . In the Pallavi and Anupallavi Vakhyams ,he begs the Lord of seven hills to show him the sanmaargam: " O Srinivasa! O Asritha Jana Rakshakaa! O Nada Brahmam ! O VeNugopAlaa! O Mukundaa! O the essence of Vedas and Vedanthaa! O The embodiment of eternal bliss ! You alone can and must save me. Please grant me the boon of following sadaachaaram and the right path. The pallavi and anupallavi Vakhyams containing these thoughts are as follows :

Pallavi :

SRINIVAASAA NINEH PAALISo SRUTHA JANA PAALA
GAANA LOLA SRI MUKUNDANEH

Anupallavi :

DhyaanamaaLpa sajjara maanathim paripaalisuva
VeNugopaala Mukunda Veda Vedyaa nityaanandhaa
(Srinivasaa )

In the first charaNam , He asks " Yeshtu Dina kashtapaduvathO Yasodhaa gandhaa ? ". O Yasodhaa Bhagyam ! How long should I suffer from these samsaaric afflictions ? " . Won' t you cast your benovolent glances at me( Drishtiyintha nodha Bharateh ) ?. " Mutti ninna bhajisalaareh ketta nara janmatava dhushta kaaryamaaditaakyu ishtanaagi kayyapidiyO , Srinivasa ? ". was the next appeal of the dejected Dasar. O Srinivasa ! It is not clear to me that in this human birth one can attain You by devoting one's life to nama sankeerthanam about Your kalyaNa GuNaas . Please do not abandon me even if I might have done many worst deeds.

In the final charaNam , Dasar makes a moving appeal to Srinivasa in the spirit of utter meekness symbolizing his performance of SaraNaagathi . He says : " O Lord ! You know very well that I suffer daily from the disease of Samsaara. I am not sure that I have the courage and endurance anymore to bear the scorching flames of the fire of Samsaara. I do not have the strength. Your cool and saving glances should fall on me just as abundant rain falls on the parched/scorched land. O Lord of the Universe ! Please do not forget to come to my rescue ". With great humility and meekness , Dasar thus performed saraNaagathi at the lotus
feet of Srinivasa and repented for his short temper . The Lord of the seven hills could not hold himself back from his dear devotee any more and appeared before Dasar along with Saraswathi Devi. Dasar was overjoyed with the blessings of Lord Srinivasa and composed many immortal songs thereafter .

On the eve of this DeepaavaLi celebration of Dhaathu Samvatsaram , it is a blessing for all of us to think of the Bhaktha Daakshinyam of Sriman Narayana standing atop of the seven hills and offer our prayers a la Purandara Dasar and other bhakthaas that followed him to the sannidhi of Srinivasa like Mutthuswami Dikshitar (Seshachala NaayakamBhajAmi Visesha Pala PradhAyakam ) and Sadguru Thyaga Brhamam ( Terathiyaga Raadhaa loni Thirupathi VenkataramaNa matsaramanu) .

I will conclude this series of Postings on Purandara dasa"s krithis on Sri Venkatesa with the first two slokas of Sri Venkatesa Sahasra Naamam and a few select Venkatesa ashtotthara Naamams :

VENKATESOH VIRUPAAKSHOH VISVESOH VISVABHAVANA: I
VISWASRUDVISWA SAMHARTHAA VISWA PRAANOH VIRAT VAPU : II

SESHAADRINILAYOH ASESHA BHAKTHA DU:KKA PRANAASANA: I
SESHASSTHUTHYAS SESHASAAYEE VISESHAJNOH VIBHUSSVABHOO : II

OM CHINTHITAARTHA PRADHAAYAKAAYA NAMA:

OM GANA SAARA LASAN MADHYA KASTHURI
TILAKOJVALAAYA NAMA:

OM HAYAGREEVAAYA NAMA:

OM AARTHA LOKA ABHAYA PRADHAAYA NAMA:

SRIYA: KAANTHAAYA KALYAANA NIDHAYEH NIDHAYEHARTHINAAM I
SRIVENKATANIVAASAAYA SRINIVAASAAYA MANGALAM II

Daasan , Oppiliappan Koil VaradAchAri SadagOpan

  Home     Back